Where the devil next? Well, the breathless sequence ends with Cruise plucking intel from a discarded lipstick, turning to camera, and with his movie-star smile on full beam announcing, “Morocco!” Cut to: Morocco. Hitchcock, if he still had a heartbeat, would rise to his feet and holler, “Now, that’s the ticket!” But rather than some super-caffeinated blizzard of action, it is beautifully paced to build tension, gradually accumulating increasingly perilous elements and quickening the pace.Īs one of the Syndicate’s killers readies to shoot on a specific high note, so McQuarrie’s camera races along the sheet music as the crescendo approaches, intercutting with Ethan dangling three storeys up from the rafters.
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Set at the Vienna State Opera, with Turandot in full swing (Nessun Dorma, folks!), three separate hitmen (and woman), plus Ethan, plus Benji, slink about backstage (and through much of the set and rigging) to either carry out or prevent the assassination of the Austrian Chancellor. Storytelling that is preposterous (a badge of honour for the IMF series) but never incoherent. The plot rests on the scaffolding of three distinct acts, each one an intricately coordinated set-piece located in a city centre, all escalating into furies of high anxiety and real-world stunt work. Which decodes as being really complicated in simple ways (or vice versa).
This, ladies and gentleman, is a Mission: Impossible movie. No silly-arse Limp Bizkit remix, just Lalo Schifrin’s shimmering ’60s vibe like a burst of electricity. Indeed, if there is a sure signal that McQuarrie knows exactly what he is about, it is the theme tune. No need for backstories, real-world relevance or, worse still, irony. Set up the dilemma, throw in the characters and watch them try to figure it out.
Resisting the vogue for narrative sprawl, and the bad habits of former Missions, this is a thriller that aspires only to be a great thriller. Latest director Christopher McQuarrie has decided the only way forward for the unflagging spy franchise is the direct pleasures of old-fashioned genre entertainment. It’s what the rather splendid Rogue Nation keeps reminding us - we’re at the movies, it is supposed to be exciting. So, what exactly is Benji’s point? Right now, care of the flat-out thrill mustered by this latest Cruise vehicle, our hearts are just about hanging on in there too. Besides which, the ridiculously sexy Ilsa Faust (Rebecca Ferguson) - of no fixed moral compass - is making off with a drive containing crucial “red box” data that could bring down The Syndicate, thus preventing war and exonerating the IMF, who have been disavowed by the American government thanks to the wheedling of the dastardly CIA (as played by Alec Baldwin). This is, after all, what he does for a living. “A minute ago you were dead.” Naturally, a barely conscious Hunt is about to do just that: grab the wheel and commence a high-speed chase, comprised of an about-to-be-trashed Beamer and about a dozen enemy motorbikes, through the back streets of Casablanca having recently been defibrillated back into possession of a heartbeat.
Our workflow consisted in track laying and mixing for the first six or seven weeks, and trying to get every scene finished to a standard so we could move on and fine tune from there.“Are you sure, you’re okay to drive?” enquires Benji Dunn (still played with barely supressed gulps of panic by Simon Pegg) to his best friend and indefatigable superspy, Ethan Hunt (Tom Cruise). “On Mission: Impossible – Rogue Nation we had a working process which was very much along the lines of how picture editor, Eddie Hamilton, wanted to work. The film’s release got pushed forward from December to July 2015, but for supervising sound editor James Mather, changing the deadline didn’t affect his approach. To finish Mission: Impossible – Rogue Nation five months before its initial release date, the audio post production team relied on the creative tools of Avid Everywhere. While Christopher McQuarrie takes over from M:I4 director Brad Bird, Tom Cruise reprises his role as Ethan Hunt. The story follows main character Ethan Hunt as he is chased by The Syndicate, an organization of highly trained assassins. The fifth installment of the Mission: Impossible franchise has all the action you would expect from the series… and more.
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